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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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Self-Portrait
mk52
1568-71
Oil on canvas
86x65cm
Prado,Madrid
Painting ID:: 26749
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Self-Portrait
mk52
1568-71
Oil on canvas
86x65cm
Prado,Madrid
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The Exbortation of the Marquis del Vasto to His Troops
mk61
1540-1541
Oil on canvas
223x165cm
Painting ID:: 28048
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The_Exbortation_of_the_Marquis_del_Vasto_to_His_Troops
mk61
1540-1541
Oil on canvas
223x165cm
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Bacchanal
mk61
Oil on canvas
175x193cm
Painting ID:: 28049
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Bacchanal
mk61
Oil on canvas
175x193cm
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Danae
mk61
1553-1554
Oil on canvas
129x180cm
Painting ID:: 28066
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Danae
mk61
1553-1554
Oil on canvas
129x180cm
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Religion Supported by Spain
mk61
c.1575
Oil on canvas
168x168cm
Painting ID:: 28067
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Religion_Supported_by_Spain
mk61
c.1575
Oil on canvas
168x168cm
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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