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Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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The Musicians f
1595-96
Oil on canvas, 92 x 118,5 cm
Metropolitan Museum of Art, New York
Painting ID:: 5720
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The_Musicians_f
1595-96
Oil on canvas, 92 x 118,5 cm
Metropolitan Museum of Art, New York
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The Fortune Teller vf
c. 1596
Oil on canvas, 115 x 150 cm
Musei Capitolini, Rome
Painting ID:: 5721
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The_Fortune_Teller_vf
c. 1596
Oil on canvas, 115 x 150 cm
Musei Capitolini, Rome
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The Cardsharps f
c. 1596
Oil on canvas, 90 x 112 cm
Kimbell Art Museum, Forth Worth
Painting ID:: 5722
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The_Cardsharps_f
c. 1596
Oil on canvas, 90 x 112 cm
Kimbell Art Museum, Forth Worth
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The Lute Player f
c. 1600
Oil on canvas, 100 x 126,5 cm
Metropolitan Museum of Art, New York (on loan)
Painting ID:: 5723
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The_Lute_Player_f
c. 1600
Oil on canvas, 100 x 126,5 cm
Metropolitan Museum of Art, New York (on loan)
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Lute Player f
c. 1596
Oil on canvas, 94 x 119 cm
The Hermitage, St. Petersburg
Painting ID:: 5724
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Lute_Player_f
c. 1596
Oil on canvas, 94 x 119 cm
The Hermitage, St. Petersburg
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Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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