Oil Painting Artist::. Emile Bernard

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     Emile Bernard
    1868-1941 French Emile Bernard Galleries (b Lille, 28 April 1868; d Paris, 15 April 1941). French painter and writer. He was the son of a cloth merchant. Relations with his parents were never harmonious, and in 1884, against his fathers wishes, he enrolled as a student at the Atelier Cormon in Paris. There he became a close friend of Louis Anquetin and Toulouse-Lautrec. In suburban views of Asnires, where his parents lived, Bernard experimented with Impressionist and then Pointillist colour theory, in direct opposition to his masters academic teaching; an argument with Fernand Cormon led to his expulsion from the studio in 1886. He made a walking tour of Normandy and Brittany that year, drawn to Gothic architecture and the simplicity of the carved Breton calvaries. In Concarneau he struck up a friendship with Claude-Emile Schuffenecker and met Gauguin briefly in Pont-Aven. During the winter Bernard met van Gogh and frequented the shop of the colour merchant Julien-Franois Tanguy, where he gained access to the little-known work of Cezanne.

Emile Bernard Breton Women with Seaweed oil painting artist
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Breton Women with Seaweed
Oil on canvas, 31 7/8 x 25 13/16 inches Indianapolis Museum of Art, accession number 1998.173 Date c. 1892(1892) cyf

     Painting ID::  92080
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Breton_Women_with_Seaweed
Oil on canvas, 31 7/8 x 25 13/16 inches Indianapolis Museum of Art, accession number 1998.173 Date c. 1892(1892) cyf

Emile Bernard Breton Women at a Wall oil painting artist
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Breton Women at a Wall
1892 Type Oil on cardboard Dimensions 83.50 cm x 116 cm cyf

     Painting ID::  95167
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Breton_Women_at_a_Wall
1892 Type Oil on cardboard Dimensions 83.50 cm x 116 cm cyf

Emile Bernard View of Rio from Santa Teresa oil painting artist
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View of Rio from Santa Teresa
1870(1870) Medium oil on canvas Dimensions 55 X 39.5 cm cyf

     Painting ID::  96634
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  View_of_Rio_from_Santa_Teresa
1870(1870) Medium oil on canvas Dimensions 55 X 39.5 cm cyf

Emile Bernard Nature morte a la banane oil painting artist
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Nature morte a la banane
oil on canvas, 22.9 x 50.5 cm cyf

     Painting ID::  96714
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Nature_morte_a_la_banane
oil on canvas, 22.9 x 50.5 cm cyf

Emile Bernard Nature morte aux oignons oil painting artist
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Nature morte aux oignons
oil on canvas, 45.7 x 55.2 cm Date 1889(1889) cyf

     Painting ID::  96715
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Nature_morte_aux_oignons
oil on canvas, 45.7 x 55.2 cm Date 1889(1889) cyf

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     Emile_Bernard
    1868-1941 French Emile Bernard Galleries (b Lille, 28 April 1868; d Paris, 15 April 1941). French painter and writer. He was the son of a cloth merchant. Relations with his parents were never harmonious, and in 1884, against his fathers wishes, he enrolled as a student at the Atelier Cormon in Paris. There he became a close friend of Louis Anquetin and Toulouse-Lautrec. In suburban views of Asnires, where his parents lived, Bernard experimented with Impressionist and then Pointillist colour theory, in direct opposition to his masters academic teaching; an argument with Fernand Cormon led to his expulsion from the studio in 1886. He made a walking tour of Normandy and Brittany that year, drawn to Gothic architecture and the simplicity of the carved Breton calvaries. In Concarneau he struck up a friendship with Claude-Emile Schuffenecker and met Gauguin briefly in Pont-Aven. During the winter Bernard met van Gogh and frequented the shop of the colour merchant Julien-Franois Tanguy, where he gained access to the little-known work of Cezanne.

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