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Giovanni Bellini
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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St Francis in the Wilderness (mk08)
C.1480
Tempera and oil on wood
124.4X141.9CM
New York
The Frick Collection
Painting ID:: 21194
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St_Francis_in_the_Wilderness_(mk08)
C.1480
Tempera and oil on wood
124.4X141.9CM
New York
The Frick Collection
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Le Comte Robert de Montesquiou (mk20)
1897
Oil on canvas,200 x 100 cm
Musee d'Orsay,Paris
Painting ID:: 22463
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Le_Comte_Robert_de_Montesquiou_(mk20)
1897
Oil on canvas,200 x 100 cm
Musee d'Orsay,Paris
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Leonardo Loredan,doge of Venice (mk45)
1501/05
OiL on panel
61.5x45cm
London,The National Gallery
Painting ID:: 25868
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Leonardo_Loredan,doge_of_Venice_(mk45)
1501/05
OiL on panel
61.5x45cm
London,The National Gallery
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Madonna and Child Between SS.Catherine and Ursula
mk61
c.1500
Oil on canvas
77x104cm
Painting ID:: 28608
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Madonna_and_Child_Between_SS.Catherine_and_Ursula
mk61
c.1500
Oil on canvas
77x104cm
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St.Jerome in the Desert
mk67
Panel
45 1/4x44 1/2in
Pitti,Meridiana
Painting ID:: 29801
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St.Jerome_in_the_Desert
mk67
Panel
45 1/4x44 1/2in
Pitti,Meridiana
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Giovanni_Bellini
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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