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Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Place du Theatre Francais in Paris
mk91
1898
Oil on canvas
65.5x81.5
Painting ID:: 34298
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Place_du_Theatre_Francais_in_Paris
mk91
1898
Oil on canvas
65.5x81.5
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La Cote du Fallais,Pontoise
mk94
1867
Painting ID:: 34616
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La_Cote_du_Fallais,Pontoise
mk94
1867
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Banks of the Oise at Pontoise
mk103
1867
Oil on canvas
45.7x71.5
Painting ID:: 35455
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Banks_of_the_Oise_at_Pontoise
mk103
1867
Oil on canvas
45.7x71.5
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A View of L-Hermitogo,near Pontoise
mk103
1874
Oil on canvas
61x83
Painting ID:: 35456
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A_View_of_L-Hermitogo,near_Pontoise
mk103
1874
Oil on canvas
61x83
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Kitchen Garden at L-Hermitage,Pontoise
mk103
1874
The National Gallery of Scotland.
Painting ID:: 35457
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Kitchen_Garden_at_L-Hermitage,Pontoise
mk103
1874
The National Gallery of Scotland.
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Camille_Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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