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GHIRLANDAIO, Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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Detail of Birth of St John the Baptist
1451-1500
Florence The small St John is being breast fed by a young nurse in the foreground, and a servant is already stretching her arms out energetically for him
Painting ID:: 43519
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Detail_of_Birth_of_St_John_the_Baptist
1451-1500
Florence The small St John is being breast fed by a young nurse in the foreground, and a servant is already stretching her arms out energetically for him
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Detail of Birth of St John the Baptist
1451-1500
Hers is almost a dance step, and one might well ask why.
Painting ID:: 43520
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Detail_of_Birth_of_St_John_the_Baptist
1451-1500
Hers is almost a dance step, and one might well ask why.
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Detail of Presentation of the Virgin at the Temple
Fresco Cappella Tornabuoni, Santa Maria Novella, Florence Ghirlandaio was more successful in his depiction of the group of three young women on the left than in his depiction of the main events.
Painting ID:: 43521
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Detail_of_Presentation_of_the_Virgin_at_the_Temple
Fresco Cappella Tornabuoni, Santa Maria Novella, Florence Ghirlandaio was more successful in his depiction of the group of three young women on the left than in his depiction of the main events.
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Detail of Confirmation of the Rule
The detail shows the Loggia dei Lanzi and the Palazzo Vecchio in the background.
Painting ID:: 43522
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Detail_of_Confirmation_of_the_Rule
The detail shows the Loggia dei Lanzi and the Palazzo Vecchio in the background.
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St Mark the Evangelist
1451-1500
Florence In the Gothic vaults of the Tornabuoni Chapel the four Evangelists are floating on clouds.
Painting ID:: 43523
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St_Mark_the_Evangelist
1451-1500
Florence In the Gothic vaults of the Tornabuoni Chapel the four Evangelists are floating on clouds.
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GHIRLANDAIO,_Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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