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Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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Madame Henriette as Flora
mk86
1742
Oil on canvas
94.6x128.5cm
Florence,Galleria degli Uffizi
Painting ID:: 33761
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Madame_Henriette_as_Flora
mk86
1742
Oil on canvas
94.6x128.5cm
Florence,Galleria degli Uffizi
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The Battle of Lesnaya
mk156
1717
Oil on canvas
90x112cm
Painting ID:: 40535
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The_Battle_of_Lesnaya
mk156
1717
Oil on canvas
90x112cm
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The Duchesse d-Orleans as Hebe
mk156
1744
Oil on canvas
144x110cm
Painting ID:: 40550
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The_Duchesse_d-Orleans_as_Hebe
mk156
1744
Oil on canvas
144x110cm
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Manon Balletti
mk170
1757
Oil on canvas
54x47.5cm
Painting ID:: 43247
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Manon_Balletti
mk170
1757
Oil on canvas
54x47.5cm
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the comtesse de tillieres
1750
london, the wallace collection
Painting ID:: 64311
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the_comtesse_de_tillieres
1750
london, the wallace collection
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Jean_Marc_Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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