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Philippe de Champaigne
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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Moses with th Ten Commandments
mk60
Oil on canvas
36x28"
Painting ID:: 28423
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Moses_with_th_Ten_Commandments
mk60
Oil on canvas
36x28"
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Louis XIII of France
mk61
1665
Oil on canvas
108x86cm
Painting ID:: 28738
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Louis_XIII_of_France
mk61
1665
Oil on canvas
108x86cm
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The Annunciation
c. 1645
Oil on canvas, 334 x 214 cm
Painting ID:: 29518
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The_Annunciation
c. 1645
Oil on canvas, 334 x 214 cm
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Portrait of a Man
1650
Oil on canvas, 91 x 72 cm
Painting ID:: 29524
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Portrait_of_a_Man
1650
Oil on canvas, 91 x 72 cm
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Mother Catherine Agnes and Sister Catherine Sainte-Suzanne
mk68
Oil on canvas
5' 1/2x7'4"
Paris,Louvre
1662
France
Painting ID:: 30586
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Mother_Catherine_Agnes_and_Sister_Catherine_Sainte-Suzanne
mk68
Oil on canvas
5' 1/2x7'4"
Paris,Louvre
1662
France
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Philippe_de_Champaigne
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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