Oil Painting Artist::. Elioth Gruner

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     Elioth Gruner
    New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),

Elioth Gruner Along the Sands oil painting artist
 Click Image to Enlarge
Along the Sands
oil on board, 14.5 x 27 cm) by Elioth Gruner (1882?C1939). cyf

     Painting ID::  77257
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Along_the_Sands
oil on board, 14.5 x 27 cm) by Elioth Gruner (1882?C1939). cyf

Elioth Gruner Mingoola Valley oil painting artist
 Click Image to Enlarge
Mingoola Valley
oil on canvas, 59 x 74.5 cm) by Elioth Gruner (1882?C1939). cyf

     Painting ID::  77258
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Mingoola_Valley
oil on canvas, 59 x 74.5 cm) by Elioth Gruner (1882?C1939). cyf

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     Elioth_Gruner
    New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),

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