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Thomas Girtin
English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
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Guisborough Priory, Yorkshire
1801(1801)
cjr
Painting ID:: 94493
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Guisborough_Priory,_Yorkshire
1801(1801)
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Kirkstall Abbey, Yorkshire
1801(1801)
Dimensions 30,5 x 52 cm
cjr
Painting ID:: 94494
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Kirkstall_Abbey,_Yorkshire
1801(1801)
Dimensions 30,5 x 52 cm
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In the Scotch Borders
cjr
Painting ID:: 94495
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In_the_Scotch_Borders
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Near Bolton Abbey
33 x 52 cm
cjr
Painting ID:: 94496
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Near_Bolton_Abbey
33 x 52 cm
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Rue Saint-Denis in Paris
1802(1802)
Dimensions Deutsch: 39 x 49 cm
cjr
Painting ID:: 94497
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Rue_Saint-Denis_in_Paris
1802(1802)
Dimensions Deutsch: 39 x 49 cm
cjr
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Thomas_Girtin
English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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