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Bernardo Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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The New Market Square in Dresden Seen from the Judenhof
1749.
Oil on canvas.
Gemaldegalerie,
Dresden, Germany
Painting ID:: 10342
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The_New_Market_Square_in_Dresden_Seen_from_the_Judenhof
1749.
Oil on canvas.
Gemaldegalerie,
Dresden, Germany
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Dresden from the Right Bank of the Elbe above the Augustus Bridge
1750Oil on canvas
National Gallery
of Ireland, Dublin
Painting ID:: 10343
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Dresden_from_the_Right_Bank_of_the_Elbe_above_the_Augustus_Bridge
1750Oil on canvas
National Gallery
of Ireland, Dublin
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Courtyard of the Castle at Kaningstein from the South.
1756Oil on canvas
City of Manchester
Art Galleries,
Manchester, UK
Painting ID:: 10344
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Courtyard_of_the_Castle_at_Kaningstein_from_the_South.
1756Oil on canvas
City of Manchester
Art Galleries,
Manchester, UK
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Kaunitz Palace and Park in Vienne
1758Oil on canvas
Museum of Fine
Arts, Budapest,
Painting ID:: 10345
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Kaunitz_Palace_and_Park_in_Vienne
1758Oil on canvas
Museum of Fine
Arts, Budapest,
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Ruins of a Temple
Oil on canvas.
Kiev Museum of
Western Art,
Kiev, Ukraine.
Painting ID:: 10346
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Ruins_of_a_Temple
Oil on canvas.
Kiev Museum of
Western Art,
Kiev, Ukraine.
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Bernardo_Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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