Oil Painting Artist::. Albrecht Altdorfer

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     Albrecht Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

Albrecht Altdorfer The Battle of Issus oil painting artist
 Click Image to Enlarge
The Battle of Issus
nn05 1529 The Battle to end all battles

     Painting ID::  30230
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Battle_of_Issus
nn05 1529 The Battle to end all battles

Albrecht Altdorfer Details of The Battle of Issus oil painting artist
 Click Image to Enlarge
Details of The Battle of Issus
nn05 Women on the battlefield

     Painting ID::  30232
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Details_of_The_Battle_of_Issus
nn05 Women on the battlefield

Albrecht Altdorfer Details of The Battle of Issus oil painting artist
 Click Image to Enlarge
Details of The Battle of Issus
nn05 Painting in the age of discovery

     Painting ID::  30233
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Details_of_The_Battle_of_Issus
nn05 Painting in the age of discovery

Albrecht Altdorfer Details of The Battle of Issus oil painting artist
 Click Image to Enlarge
Details of The Battle of Issus
nn05 Heroes replace saints

     Painting ID::  30234
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Details_of_The_Battle_of_Issus
nn05 Heroes replace saints

Albrecht Altdorfer Details of The Battle of Issus oil painting artist
 Click Image to Enlarge
Details of The Battle of Issus
nn05 The end of the world is nigh

     Painting ID::  30235
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Details_of_The_Battle_of_Issus
nn05 The end of the world is nigh

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     Albrecht_Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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