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Franz Xaver Winterhalter
German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.
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Princess Elizabeth Esperovna Belosselsky-Belosenky, Princess Troubetskoi
1859
Painting ID:: 583
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Princess_Elizabeth_Esperovna_Belosselsky-Belosenky,_Princess_Troubetskoi
1859
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Edouard Andre
1857
Painting ID:: 584
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Edouard_Andre
1857
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Il Dolce Farniente
1836
Painting ID:: 585
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Il_Dolce_Farniente
1836
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Countess Varvara Alekseyevna Musina-Pushkina
Painting ID:: 586
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Countess_Varvara_Alekseyevna_Musina-Pushkina
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Lady Clementina Augusta Wellington Child-Villiers
Painting ID:: 587
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Lady_Clementina_Augusta_Wellington_Child-Villiers
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Franz_Xaver_Winterhalter
German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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