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Jacopo Bassano
Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
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The meal in Emmaus
mk186
1537/38 Cittadella parish church sacristy
Painting ID:: 45537
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The_meal_in_Emmaus
mk186
1537/38 Cittadella parish church sacristy
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Christ in Emmaus
mk186
around 1538 forts Worth Kimbell type museum
Painting ID:: 45564
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Christ_in_Emmaus
mk186
around 1538 forts Worth Kimbell type museum
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The Annunciation to the Shepherds
nn09
c.1533
Oil on canvas
116x94cm
Painting ID:: 51698
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The_Annunciation_to_the_Shepherds
nn09
c.1533
Oil on canvas
116x94cm
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Noah's Sacrifice
c. 1574
Oil on canvas
Painting ID:: 52090
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Noah's_Sacrifice
c. 1574
Oil on canvas
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St Roche among the Plague Victims and the Madonna in Glory
c. 1575 Oil on canvas, 350 x 210 cm
Painting ID:: 52249
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St_Roche_among_the_Plague_Victims_and_the_Madonna_in_Glory
c. 1575 Oil on canvas, 350 x 210 cm
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Jacopo_Bassano
Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
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