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Alessandro Allori
(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school.
Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
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Venus and Cupid
Date second half of 16th century
Medium Oil on wood
cjr
Painting ID:: 84656
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Venus_and_Cupid
Date second half of 16th century
Medium Oil on wood
cjr
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Portrat Isabella de Medicis
from 1575(1575) until 1599(1599)
Medium oil on panel
Dimensions 56 x 44 cm (22 x 17.3 in)
cjr
Painting ID:: 90010
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Portrat_Isabella_de_Medicis
from 1575(1575) until 1599(1599)
Medium oil on panel
Dimensions 56 x 44 cm (22 x 17.3 in)
cjr
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Portrait of Francesco de' Medici.
c. 1560(1560)
Medium oil on canvas
Dimensions 98 X 79 cm (38.6 X 31.1 in)
cjr
Painting ID:: 92120
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Portrait_of_Francesco_de'_Medici.
c. 1560(1560)
Medium oil on canvas
Dimensions 98 X 79 cm (38.6 X 31.1 in)
cjr
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Sagrada Familia
1602(1602)
Medium oil on canvas
Dimensions 148 X 114 cm
cyf
Painting ID:: 97304
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Sagrada_Familia
1602(1602)
Medium oil on canvas
Dimensions 148 X 114 cm
cyf
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Alessandro_Allori
(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school.
Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
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