Oil Painting Artist::. George Henry Durrie

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     George Henry Durrie
    American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,

George Henry Durrie Winter Farmyard and Sleigh oil painting artist
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Winter Farmyard and Sleigh
Oil on canvas, 26 x 36 in Date 1860(1860) cjr

     Painting ID::  79762
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Winter_Farmyard_and_Sleigh
Oil on canvas, 26 x 36 in Date 1860(1860) cjr

George Henry Durrie Winter in the Country, Distant Hills oil painting artist
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Winter in the Country, Distant Hills
Oil on canvas, 26 x 36 in Date 1861(1861) cjr

     Painting ID::  79763
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Winter_in_the_Country,_Distant_Hills
Oil on canvas, 26 x 36 in Date 1861(1861) cjr

George Henry Durrie Gathering Wood for Winter oil painting artist
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Gathering Wood for Winter
Oil on canvas, 26 x 36 in Date 1855(1855) cjr

     Painting ID::  79765
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Gathering_Wood_for_Winter
Oil on canvas, 26 x 36 in Date 1855(1855) cjr

George Henry Durrie Winter in New England oil painting artist
 Click Image to Enlarge
Winter in New England
Oil on board, 19.25 x 25 in Date ca. 1852(1852) cjr

     Painting ID::  79813
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Winter_in_New_England
Oil on board, 19.25 x 25 in Date ca. 1852(1852) cjr

George Henry Durrie Cider Pressing oil painting artist
 Click Image to Enlarge
Cider Pressing
Oil on canvas, 22.25 x 30.25in Date 1855(1855) cjr

     Painting ID::  79906
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Cider_Pressing
Oil on canvas, 22.25 x 30.25in Date 1855(1855) cjr

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     George_Henry_Durrie
    American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,

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