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Harriet Backer
Norwegian Painter, 1845-1932
Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.
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Drying clothes
ca 1890
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Painting ID:: 95831
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Drying_clothes
ca 1890
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Lesende_dame_i_renessansedrakt
1878(1878)
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Painting ID:: 95832
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Lesende_dame_i_renessansedrakt
1878(1878)
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Portrait of Nenna Jahnson
ca 1890
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Painting ID:: 95833
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Portrait_of_Nenna_Jahnson
ca 1890
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Alteret i Uvdal kirke
Oil painting.
Painted 1910.
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Painting ID:: 95834
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Alteret_i_Uvdal_kirke
Oil painting.
Painted 1910.
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Fra Trefoldighetskirken
Oil painting.
Painted 1898-1908.
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Painting ID:: 95838
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Fra_Trefoldighetskirken
Oil painting.
Painted 1898-1908.
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Harriet_Backer
Norwegian Painter, 1845-1932
Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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