Oil Painting Artist::. George Hendrik Breitner

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     George Hendrik Breitner
    Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives

George Hendrik Breitner Winter in Amsterdam oil painting artist
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Winter in Amsterdam
c. 1900(1900) - c. 1901(1901) Medium oil on canvas Dimensions 95 x 192 cm (37.4 x 75.6 in) cjr

     Painting ID::  90767
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Winter_in_Amsterdam
c. 1900(1900) - c. 1901(1901) Medium oil on canvas Dimensions 95 x 192 cm (37.4 x 75.6 in) cjr

George Hendrik Breitner Promenadendeck mit drei Damen oil painting artist
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Promenadendeck mit drei Damen
c. 1897(1897) Medium oil on canvas Dimensions Deutsch: 57 x 59 cm cjr

     Painting ID::  91242
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Promenadendeck_mit_drei_Damen
c. 1897(1897) Medium oil on canvas Dimensions Deutsch: 57 x 59 cm cjr

George Hendrik Breitner Demolition of the Grand Bazar de la Bourse in Amsterdam at the Nieuwendijk oil painting artist
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Demolition of the Grand Bazar de la Bourse in Amsterdam at the Nieuwendijk
between 1893(1893) and 1897(1897) Medium oil on panel Dimensions 25.5 X 47 cm (10 X 18.5 in) cjr

     Painting ID::  93020
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Demolition_of_the_Grand_Bazar_de_la_Bourse_in_Amsterdam_at_the_Nieuwendijk
between 1893(1893) and 1897(1897) Medium oil on panel Dimensions 25.5 X 47 cm (10 X 18.5 in) cjr

George Hendrik Breitner Four Cows oil painting artist
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Four Cows
c. 1880(1880) - c. 1923(1923) Medium oil on cardboard Dimensions 36 x 41 cm (14.2 x 16.1 in) cjr

     Painting ID::  93332
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Four_Cows
c. 1880(1880) - c. 1923(1923) Medium oil on cardboard Dimensions 36 x 41 cm (14.2 x 16.1 in) cjr

George Hendrik Breitner A Brown and a White Horse in Scheveningen oil painting artist
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A Brown and a White Horse in Scheveningen
between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 26.5 x 37 cm (10.4 x 14.6 in) cjr

     Painting ID::  93333
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Brown_and_a_White_Horse_in_Scheveningen
between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 26.5 x 37 cm (10.4 x 14.6 in) cjr

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     George_Hendrik_Breitner
    Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives

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