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Oil Painting Artist::. MAGNASCO, Alessandro
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MAGNASCO, Alessandro
Italian Rococo Era Painter, 1667-1749
Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects,
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Seashore
mk60
1720
Oil on canvas
62x83"
Painting ID:: 28406
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Seashore
mk60
1720
Oil on canvas
62x83"
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Mountainous Landscape
mk60
1720s
Oil on canvas
62x83"
Painting ID:: 28407
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Mountainous_Landscape
mk60
1720s
Oil on canvas
62x83"
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Christ Served by Angels
mk61
c.1730
Oil on canvas
193x142cm
Painting ID:: 28677
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Christ_Served_by_Angels
mk61
c.1730
Oil on canvas
193x142cm
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Training the Magpie
mk67
Oil on canvas
18 5/16x23 13/16in
Uffizi,
Painting ID:: 29978
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Training_the_Magpie
mk67
Oil on canvas
18 5/16x23 13/16in
Uffizi,
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Halt of the Brigands
nn07
1710s
Oil on canvas, 112 x 162 cm
The Hermitage, St. Petersburg
Painting ID:: 31353
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Halt_of_the_Brigands
nn07
1710s
Oil on canvas, 112 x 162 cm
The Hermitage, St. Petersburg
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MAGNASCO,_Alessandro
Italian Rococo Era Painter, 1667-1749
Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects,
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