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David Teniers
Belgian
1610-1690
David Teniers Gallery
Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.
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Details of Archduke Leopold Wihelm's Galleries at Brussels
nn05
A bishop at the age of 11,a general at 25
Painting ID:: 30285
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Details_of_Archduke_Leopold_Wihelm's_Galleries_at_Brussels
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A bishop at the age of 11,a general at 25
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Details of Archduke Leopold Wihelm's Galleries at Brussels
nn05
The antiquarius painted by Titian,Copied by Teniers
Painting ID:: 30286
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Details_of_Archduke_Leopold_Wihelm's_Galleries_at_Brussels
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The antiquarius painted by Titian,Copied by Teniers
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Details of Archduke Leopold Wihelm's Galleries at Brussels
nn05
The king of England had no money
Painting ID:: 30287
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Details_of_Archduke_Leopold_Wihelm's_Galleries_at_Brussels
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The king of England had no money
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Archduke Leopold Wilhelim in his gallery in Brussels
mk150
c.1651
Canvas
123x163cm
Painting ID:: 39578
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Archduke_Leopold_Wilhelim_in_his_gallery_in_Brussels
mk150
c.1651
Canvas
123x163cm
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Arobduke Leopold Wilhelm in his gallery in Brussels
mk150
c.1651
Canvas
123x163cm
Painting ID:: 39672
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Arobduke_Leopold_Wilhelm_in_his_gallery_in_Brussels
mk150
c.1651
Canvas
123x163cm
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David_Teniers
Belgian
1610-1690
David Teniers Gallery
Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.
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