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Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
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La Visitation
mk70
Bois transpose sur toile
H.1.68
L.1.32
Paris,Musee du Louvre
Painting ID:: 30978
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La_Visitation
mk70
Bois transpose sur toile
H.1.68
L.1.32
Paris,Musee du Louvre
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Recreation by our Gallery
mk79
Painting ID:: 32548
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Recreation_by_our_Gallery
mk79
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Christ Carrying the Cross
1535-40
Oil on slate, 157 x 118 cm
Painting ID:: 32618
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Christ_Carrying_the_Cross
1535-40
Oil on slate, 157 x 118 cm
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San Giovanni Crisostomo and Saints
c. 1509
Oil on canvas, 200 x 156 cm
Painting ID:: 32620
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San_Giovanni_Crisostomo_and_Saints
c. 1509
Oil on canvas, 200 x 156 cm
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Portrait of Antonio Cardinal Pallavicini
Oil on canvas
Painting ID:: 32624
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Portrait_of_Antonio_Cardinal_Pallavicini
Oil on canvas
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Sebastiano_del_Piombo
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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