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Aert de Gelder
Dutch
1645-1727
Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.
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Esther and Mordechai writing
Oil on canvas.
Date 1685(1685)
cyf
Painting ID:: 87639
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Esther_and_Mordechai_writing
Oil on canvas.
Date 1685(1685)
cyf
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Selbstbildnis als Zeuxis
1685(1685)
Medium Oil on canvas
Dimensions 142 x 169 cm (55.9 x 66.5 in)
cyf
Painting ID:: 87820
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Selbstbildnis_als_Zeuxis
1685(1685)
Medium Oil on canvas
Dimensions 142 x 169 cm (55.9 x 66.5 in)
cyf
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King David
c. 1683 (1680-1685)
Medium oil on canvas
Dimensions 109.5 x 114.5 cm (43.1 x 45.1 in)
cjr
Painting ID:: 88940
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King_David
c. 1683 (1680-1685)
Medium oil on canvas
Dimensions 109.5 x 114.5 cm (43.1 x 45.1 in)
cjr
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Die Judenbraut
1684
Medium oil on canvas
Dimensions 139 x 163 cm (54.7 x 64.2 in)
cyf
Painting ID:: 90414
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Die_Judenbraut
1684
Medium oil on canvas
Dimensions 139 x 163 cm (54.7 x 64.2 in)
cyf
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Aert_de_Gelder
Dutch
1645-1727
Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.
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