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Lemuel Francis Abbott
1760-1803
Lemuel Francis Abbott Locations
English painter. He was the son of a clergyman and went to London to study with Francis Hayman shortly before the latter death in 1776; he may have completed his studies in Derby with Joseph Wright of Derby. By the early 1780s Abbott had established a busy portrait practice in London. The formula he adopted for most of his head-and-shoulder portraits can be seen in Sir William Herschel (1785; London, N. Mar. Mus.): the body is parallel to the picture plane, and the sitter head is moved into three-quarter profile, as if his attention has been suddenly distracted. In later portraits, such as those of fellow artists Francesco Bartolozzi (c. 1792; London, Tate) or Joseph Nollekens (c. 1797; London, N.P.G.), the sitter hand or some attribute balances the movement of the head. Only male portraits by Abbott are known, and his patrons were mostly drawn from the professional classes, particularly the Navy; there are several versions of Lord Nelson (e.g. 1798; London, N. Mar. Mus.). His style is crisp but scratchy in technique, and often the anatomy of his figures is inaccurate. Paint is handled in a manner comparable with that of Gainsborough Dupont, but Abbott sense of composition is superior. In 1798 he was certified insane, but he continued to exhibit at the Royal Academy in London for two further years. Several of his works were probably finished by another hand.
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Admiral Robert Roddam
1783
National Maritime Museum, Greenwich, London
764 x 632 mm
Painting ID:: 171
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Admiral_Robert_Roddam
1783
National Maritime Museum, Greenwich, London
764 x 632 mm
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Head of a man
mk223
oil on canvas
Painting ID:: 52757
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Head_of_a_man
mk223
oil on canvas
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Portrait of Captain George Montagu
18th century
Portrait of Captain George Montagu (1750?C1829)
Painting ID:: 70614
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Portrait_of_Captain_George_Montagu
18th century
Portrait of Captain George Montagu (1750?C1829)
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Portrait of Captain George Montagu
Portrait of Captain George Montagu (1750?C1829)
18th century
cjr
Painting ID:: 73662
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Portrait_of_Captain_George_Montagu
Portrait of Captain George Montagu (1750?C1829)
18th century
cjr
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Rear-Admiral
1800(1800)
Oil on canvas
63.5 x 76.2 cm (25 x 30 in)
cjr
Painting ID:: 77605
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Rear-Admiral
1800(1800)
Oil on canvas
63.5 x 76.2 cm (25 x 30 in)
cjr
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Lemuel_Francis_Abbott
1760-1803
Lemuel Francis Abbott Locations
English painter. He was the son of a clergyman and went to London to study with Francis Hayman shortly before the latter death in 1776; he may have completed his studies in Derby with Joseph Wright of Derby. By the early 1780s Abbott had established a busy portrait practice in London. The formula he adopted for most of his head-and-shoulder portraits can be seen in Sir William Herschel (1785; London, N. Mar. Mus.): the body is parallel to the picture plane, and the sitter head is moved into three-quarter profile, as if his attention has been suddenly distracted. In later portraits, such as those of fellow artists Francesco Bartolozzi (c. 1792; London, Tate) or Joseph Nollekens (c. 1797; London, N.P.G.), the sitter hand or some attribute balances the movement of the head. Only male portraits by Abbott are known, and his patrons were mostly drawn from the professional classes, particularly the Navy; there are several versions of Lord Nelson (e.g. 1798; London, N. Mar. Mus.). His style is crisp but scratchy in technique, and often the anatomy of his figures is inaccurate. Paint is handled in a manner comparable with that of Gainsborough Dupont, but Abbott sense of composition is superior. In 1798 he was certified insane, but he continued to exhibit at the Royal Academy in London for two further years. Several of his works were probably finished by another hand.
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