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James Joseph Jacques Tissot
James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain.
Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.
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Huile sur toile
oil on canvas
cyf
Painting ID:: 85543
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Huile_sur_toile
oil on canvas
cyf
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Too Early
1873(1873)
Medium Oil on canvas
cyf
Painting ID:: 85741
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Too_Early
1873(1873)
Medium Oil on canvas
cyf
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The Fatted Calf
1882
Medium Oil on canvas
cyf
Painting ID:: 85802
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The_Fatted_Calf
1882
Medium Oil on canvas
cyf
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Marguerite in Church
1861(1861)
Medium Oil on canvas
Dimensions 50.2 x 75.5 cm (19.8 x 29.7 in)
cyf
Painting ID:: 86243
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Marguerite_in_Church
1861(1861)
Medium Oil on canvas
Dimensions 50.2 x 75.5 cm (19.8 x 29.7 in)
cyf
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The Departure
1882
Medium Oil on canvas
cyf
Painting ID:: 86590
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The_Departure
1882
Medium Oil on canvas
cyf
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James_Joseph_Jacques_Tissot
James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain.
Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.
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