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Johann Georg Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.
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Portrait of
from 1762(1762) until 1766(1766)
Medium Oil on canvas
cyf
Painting ID:: 82393
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Portrait_of
from 1762(1762) until 1766(1766)
Medium Oil on canvas
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Portrait of Carl August von Sachsen
1769(1769)
Medium Oil
cyf
Painting ID:: 82848
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Portrait_of_Carl_August_von_Sachsen
1769(1769)
Medium Oil
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Portrait of Stadholder Willem V
Date ca. 1768-1769
Medium Oil on canvas
Dimensions 141 x 101 cm (55.5 x 39.8 in)
cjr
Painting ID:: 84853
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Portrait_of_Stadholder_Willem_V
Date ca. 1768-1769
Medium Oil on canvas
Dimensions 141 x 101 cm (55.5 x 39.8 in)
cjr
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Portrait of Augusta Hanover
1762/5 (original)
Medium Oil on canvas
cyf
Painting ID:: 85344
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Portrait_of_Augusta_Hanover
1762/5 (original)
Medium Oil on canvas
cyf
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Portrait of Stadholder Willem V
1768-1769
Medium Oil on canvas
Dimensions 141 x 101 cm (55.5 x 39.8 in)
cyf
Painting ID:: 88701
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Portrait_of_Stadholder_Willem_V
1768-1769
Medium Oil on canvas
Dimensions 141 x 101 cm (55.5 x 39.8 in)
cyf
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Johann_Georg_Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.
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