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Pierre-Henri de Valenciennes
(December 6, 1750 - February 16, 1819) was a French painter.
Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day.He theorized on this idea in Advice to a Student on Painting, Particularly on Landscape (1800), developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details.Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher art of the academies, he found it of great interest, and of his own works the surviving landscape portraits have been the most noted by later commentators. He in particular urged artists to capture the distinctive details of a scene's architecture, dress, agriculture, and so on, in order to give the landscape a sense of belonging to a specific place; in this he probably influenced other French artists active in Italy who took an anthropological approach to painting rural areas and customs, such as Hubert Robert, Pierre-Athanase Chauvin and Achille-Etna Michallon.
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Storm by a Lake
1780(1780)
Medium Oil on paper on canvas
cyf
Painting ID:: 89486
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Storm_by_a_Lake
1780(1780)
Medium Oil on paper on canvas
cyf
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Valenciennes
1780(1780)
Medium Oil on paper on cardbord
cyf
Painting ID:: 89502
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Valenciennes
1780(1780)
Medium Oil on paper on cardbord
cyf
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View of the Convent of Ara Coeli with Pines
1780s
Medium Oil on paper mounted on board
cyf
Painting ID:: 89755
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View_of_the_Convent_of_Ara_Coeli_with_Pines
1780s
Medium Oil on paper mounted on board
cyf
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View of Rome in the Morning
1782(1782) and 1784(1784)
Medium Oil on paper laid on board
cyf
Painting ID:: 89816
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View_of_Rome_in_the_Morning
1782(1782) and 1784(1784)
Medium Oil on paper laid on board
cyf
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Pierre-Henri_de_Valenciennes
(December 6, 1750 - February 16, 1819) was a French painter.
Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day.He theorized on this idea in Advice to a Student on Painting, Particularly on Landscape (1800), developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details.Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher art of the academies, he found it of great interest, and of his own works the surviving landscape portraits have been the most noted by later commentators. He in particular urged artists to capture the distinctive details of a scene's architecture, dress, agriculture, and so on, in order to give the landscape a sense of belonging to a specific place; in this he probably influenced other French artists active in Italy who took an anthropological approach to painting rural areas and customs, such as Hubert Robert, Pierre-Athanase Chauvin and Achille-Etna Michallon.
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