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Richard Wilson
Welsh Romantic Painter, ca.1713-1782
was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. Wilson has been described as '...the most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country.' Wilson is considered to be the father of landscape painting in Britain. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. The family was an old and respected one, and Wilson was first cousin to Charles Pratt, 1st Earl Camden. In 1729 he went to London where he began as a portrait painter, under the apprentership of an obscure artist, Thomas Wright. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he "paints in a manly way, and occasionally reaches exquisite tones of colour." He concentrated on painting Italianate landscapes and landscapes based upon classsical literature, but when his painting The Destruction of the Children of Niobe (c.1759-60) won high acclaim he gained many commissions from wealthy families seeking classical potrayals of their estates.
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The Temple of the Sybil and the Campagna,
The Temple of the Sybil and the Campagna, c. 1765, oil on canvas painting by Richard Wilson, Kimbell Art Museum.
cjr
Painting ID:: 75958
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The_Temple_of_the_Sybil_and_the_Campagna,
The Temple of the Sybil and the Campagna, c. 1765, oil on canvas painting by Richard Wilson, Kimbell Art Museum.
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Portrait of Francesco Zuccarelli (1702-1788), Italian painter
1751
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Painting ID:: 78061
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Portrait_of_Francesco_Zuccarelli_(1702-1788),_Italian_painter
1751
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Landscape Capriccio with Tomb of the Horatii and Curiatii, and the Villa of Maecenas at Tivoli
Date 1754(1754)
Medium Oil on canvas
Dimensions 99.1 x 134.5 cm (39 x 53 in)
cjr
Painting ID:: 84376
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Landscape_Capriccio_with_Tomb_of_the_Horatii_and_Curiatii,_and_the_Villa_of_Maecenas_at_Tivoli
Date 1754(1754)
Medium Oil on canvas
Dimensions 99.1 x 134.5 cm (39 x 53 in)
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Meleager and Atalanta
c. 1770(1770)
Medium oil on canvas
Dimensions Height: 1,045 cm (411.4 in). Width: 1,295 cm (509.8 in).
cjr
Painting ID:: 89165
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Meleager_and_Atalanta
c. 1770(1770)
Medium oil on canvas
Dimensions Height: 1,045 cm (411.4 in). Width: 1,295 cm (509.8 in).
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Hounslow Heath
1770(1770)
Medium Oil on canvas
Dimensions 43 x 53 cm
cjr
Painting ID:: 89869
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Hounslow_Heath
1770(1770)
Medium Oil on canvas
Dimensions 43 x 53 cm
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Richard_Wilson
Welsh Romantic Painter, ca.1713-1782
was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. Wilson has been described as '...the most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country.' Wilson is considered to be the father of landscape painting in Britain. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. The family was an old and respected one, and Wilson was first cousin to Charles Pratt, 1st Earl Camden. In 1729 he went to London where he began as a portrait painter, under the apprentership of an obscure artist, Thomas Wright. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he "paints in a manly way, and occasionally reaches exquisite tones of colour." He concentrated on painting Italianate landscapes and landscapes based upon classsical literature, but when his painting The Destruction of the Children of Niobe (c.1759-60) won high acclaim he gained many commissions from wealthy families seeking classical potrayals of their estates.
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