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Jan Weenix
Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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Een aap en een hond bij dood wild
Medium Oil on canvas
Dimensions 0172 ?? 160 cm
Painting ID:: 69955
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Een_aap_en_een_hond_bij_dood_wild
Medium Oil on canvas
Dimensions 0172 ?? 160 cm
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After the Hunt
Medium Oil on wood
Dimensions 44,7 X 34,5 cm
Painting ID:: 70218
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After_the_Hunt
Medium Oil on wood
Dimensions 44,7 X 34,5 cm
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Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple
1694
Medium oil on canvas
cjr
Painting ID:: 90963
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Agneta_Block_and_her_family_at_their_summer_home_Vijverhof_with_her_cultivated_pineapple
1694
Medium oil on canvas
cjr
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An Italian Seaport
circa 1666(1666)
Medium oil on canvas
cyf
Painting ID:: 95484
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An_Italian_Seaport
circa 1666(1666)
Medium oil on canvas
cyf
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Jan_Weenix
Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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