Oil Painting Artist::. Roger Van Der Weyden

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     Roger Van Der Weyden
    c.1399-1464 Rogier van der Weyden was the son of Henri de le Pasture, a cutler in Tournai, and Agn?s de Watreloz. His birthdate is estimated from the facts that he was stated to be 35 in April 1435 and 43 in September 1441. Before or in 1427 he married Elisabeth Goffaert (c. 1405-77), whose father was a prosperous shoemaker in Brussels. Rogier may have lived for a time in Brussels: his eldest child Cornelis (b 1427) was sometimes referred to as 'de Bruxella' but was not necessarily a native of Brussels. On 5 March 1427 'Rogelet de le Pasture, natif de Tournai' was apprenticed to the Tournai painter Robert Campin. This Rogelet duly completed his apprenticeship in 1431 and on 1 August 1432 became a master of the Tournai guild. Despite much debate, it would appear that Rogelet was Rogier van der Weyden, though it has also been argued that in 1427 Rogier was a married man well past the normal age of apprenticeship and that Rogelet must have been a second Tournai painter of the same name. JACQUES DARET, however, was in his twenties when in 1428 he was apprenticed to Campin, and other instances can be cited of married apprentices. The political situation at Tournai in 1427-8 was unusual, and the guild system was not functioning normally.

Roger Van Der Weyden Adoration of the Magi oil painting artist
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Adoration of the Magi
mk86 c.1455 Tempera on wood 138x153cm Munich,Bayerische Staatsgemaldesammlungen, Alte Pinakothek

     Painting ID::  33430
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Adoration_of_the_Magi
mk86 c.1455 Tempera on wood 138x153cm Munich,Bayerische Staatsgemaldesammlungen, Alte Pinakothek

Roger Van Der Weyden Mary Magdalene oil painting artist
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Mary Magdalene
mk86 c.1453 Oil on wood 41x34cm Paris,Musee National du Louvre

     Painting ID::  33431
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Mary_Magdalene
mk86 c.1453 Oil on wood 41x34cm Paris,Musee National du Louvre

Roger Van Der Weyden Entombment oil painting artist
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Entombment
mk86 c.1450 Oil on panel 110x96cm Florence,Galleria degli Uffizi

     Painting ID::  33432
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Entombment
mk86 c.1450 Oil on panel 110x96cm Florence,Galleria degli Uffizi

Roger Van Der Weyden The Beweinung oil painting artist
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The Beweinung
mk148 Nikodemus and Josef of Arimatäa support the corpse

     Painting ID::  39431
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Beweinung
mk148 Nikodemus and Josef of Arimatäa support the corpse

Roger Van Der Weyden St Columba Altarpiece oil painting artist
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St Columba Altarpiece
1455(1455) Medium Oil on oak panel cyf

     Painting ID::  87062
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Columba_Altarpiece
1455(1455) Medium Oil on oak panel cyf

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     Roger_Van_Der_Weyden
    c.1399-1464 Rogier van der Weyden was the son of Henri de le Pasture, a cutler in Tournai, and Agn?s de Watreloz. His birthdate is estimated from the facts that he was stated to be 35 in April 1435 and 43 in September 1441. Before or in 1427 he married Elisabeth Goffaert (c. 1405-77), whose father was a prosperous shoemaker in Brussels. Rogier may have lived for a time in Brussels: his eldest child Cornelis (b 1427) was sometimes referred to as 'de Bruxella' but was not necessarily a native of Brussels. On 5 March 1427 'Rogelet de le Pasture, natif de Tournai' was apprenticed to the Tournai painter Robert Campin. This Rogelet duly completed his apprenticeship in 1431 and on 1 August 1432 became a master of the Tournai guild. Despite much debate, it would appear that Rogelet was Rogier van der Weyden, though it has also been argued that in 1427 Rogier was a married man well past the normal age of apprenticeship and that Rogelet must have been a second Tournai painter of the same name. JACQUES DARET, however, was in his twenties when in 1428 he was apprenticed to Campin, and other instances can be cited of married apprentices. The political situation at Tournai in 1427-8 was unusual, and the guild system was not functioning normally.

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