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Govert flinck
Dutch Baroque Era Painter, 1615-1660
was a Dutch painter of the Dutch Golden Age. Born at Cleves, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saske married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly Joachim von Sandrart, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer Hendrik Uylenburg at Amsterdam. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the Great Elector, Friedrich Wilhelm I of Brandenburg, who married in 1646 Louisa of Orange. He obtained the patronage of John Maurice of Nassau, who was made stadtholder of Cleves in 1649. In 1652 a citizen of Amsterdam, Flinck married in 1656 an heiress, daughter of Ver Hoeven, a director of the Dutch East India Company.
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Angels
Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris
Painting ID:: 67371
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Angels
Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris
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Curius Dentatus Preferring Turnips to Gold
1656
Oil on canvas
480 x 370 cm (188.98 x 145.67 in)
Painting ID:: 71582
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Curius_Dentatus_Preferring_Turnips_to_Gold
1656
Oil on canvas
480 x 370 cm (188.98 x 145.67 in)
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Curius Dentatus Preferring Turnips to Gold
Date 1656
Medium Oil on canvas
Dimensions 480 X 370 cm (188.98 X 145.67 in)
cyf
Painting ID:: 72775
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Curius_Dentatus_Preferring_Turnips_to_Gold
Date 1656
Medium Oil on canvas
Dimensions 480 X 370 cm (188.98 X 145.67 in)
cyf
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Portrait of Margaretha Tulp
Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 138 cm (54.3 in). Width: 104 cm (40.9 in).
cjr
Painting ID:: 83598
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Portrait_of_Margaretha_Tulp
Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 138 cm (54.3 in). Width: 104 cm (40.9 in).
cjr
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Angels Announcing the Birth of Christ to the Shepherds
Date 1639(1639)
Medium Oil on wood
Dimensions Height: 160 cm (63 in). Width: 196 cm (77.2 in).
cjr
Painting ID:: 84583
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Angels_Announcing_the_Birth_of_Christ_to_the_Shepherds
Date 1639(1639)
Medium Oil on wood
Dimensions Height: 160 cm (63 in). Width: 196 cm (77.2 in).
cjr
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Govert_flinck
Dutch Baroque Era Painter, 1615-1660
was a Dutch painter of the Dutch Golden Age. Born at Cleves, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saske married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly Joachim von Sandrart, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer Hendrik Uylenburg at Amsterdam. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the Great Elector, Friedrich Wilhelm I of Brandenburg, who married in 1646 Louisa of Orange. He obtained the patronage of John Maurice of Nassau, who was made stadtholder of Cleves in 1649. In 1652 a citizen of Amsterdam, Flinck married in 1656 an heiress, daughter of Ver Hoeven, a director of the Dutch East India Company.
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