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Mikhail Vrubel
Russian Symbolist Painter, 1856-1910
Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
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Self-Portrait
mk72
Charcoal and red chalk on paper pasted on cardboard
35.5x29.5cm
Tretyakov Gallery,
Moscow
Painting ID:: 31145
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Self-Portrait
mk72
Charcoal and red chalk on paper pasted on cardboard
35.5x29.5cm
Tretyakov Gallery,
Moscow
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Anna Karenina and Her Son
mk72
Late 1870s-early 1880s
Illustration for the novel Anna Karenina by Leo Tolstoy
Pen and ink with sepia on brown paper
39.5x33cm
Tretyakov Gallery,Moscow
Painting ID:: 31146
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Anna_Karenina_and_Her_Son
mk72
Late 1870s-early 1880s
Illustration for the novel Anna Karenina by Leo Tolstoy
Pen and ink with sepia on brown paper
39.5x33cm
Tretyakov Gallery,Moscow
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Mozart and Salieri Listening to a Blind Violinist
mk72
1884
Illustration for the drama Mozart and Salieri by Alexander Pushkin Black crayon on paper
25.5x33.9cm
Russian Museum,St.Petersburg
Painting ID:: 31147
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Mozart_and_Salieri_Listening_to_a_Blind_Violinist
mk72
1884
Illustration for the drama Mozart and Salieri by Alexander Pushkin Black crayon on paper
25.5x33.9cm
Russian Museum,St.Petersburg
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Salieri Pouring Poison Into Mozart's Glass
mk72
1884
Black crayon on paper
25.8x33.9cm
Russian Museum,St.Petersburg
Painting ID:: 31148
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Salieri_Pouring_Poison_Into_Mozart's_Glass
mk72
1884
Black crayon on paper
25.8x33.9cm
Russian Museum,St.Petersburg
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The Betrothal of the Virgin Mary to Joseph
mk72
1881
Pen,sepia wash,and graphite on paper
69.7x61.7cm
Russian Museum,St.Pertersurg
Painting ID:: 31149
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The_Betrothal_of_the_Virgin_Mary_to_Joseph
mk72
1881
Pen,sepia wash,and graphite on paper
69.7x61.7cm
Russian Museum,St.Pertersurg
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Mikhail_Vrubel
Russian Symbolist Painter, 1856-1910
Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
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