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Jan Matejko
Polish Painter, 1838-1893
He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience
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Stanczyk by Jan Matejko
Stanczyk by Jan Matejko
The jester is the only person at a royal ball who is troubled by the news that the Russians have captured Smolensk. This event happened in 1514.
Painting ID:: 59780
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Stanczyk_by_Jan_Matejko
Stanczyk by Jan Matejko
The jester is the only person at a royal ball who is troubled by the news that the Russians have captured Smolensk. This event happened in 1514.
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The Battle of Raclawice, a major battle of the Kosciuszko Uprising
The Battle of Racławice, a major battle of the Kosciuszko Uprising, 1794. Oil on canvas, 1888, National Museum in Krak??w. 4 April 1794, Kościuszko Uprising.
Painting ID:: 59781
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The_Battle_of_Raclawice,_a_major_battle_of_the_Kosciuszko_Uprising
The Battle of Racławice, a major battle of the Kosciuszko Uprising, 1794. Oil on canvas, 1888, National Museum in Krak??w. 4 April 1794, Kościuszko Uprising.
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The Sermon of Skarga,
The Sermon of Skarga, predicting the end of the Golden Age of Poland. Oil on canvas, 1862, 224 x 397 cm, Royal Castle in Warsaw.
Painting ID:: 59782
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The_Sermon_of_Skarga,
The Sermon of Skarga, predicting the end of the Golden Age of Poland. Oil on canvas, 1862, 224 x 397 cm, Royal Castle in Warsaw.
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Coronation of the First King of Poland
Coronation of the First King of Poland," by Jan Matejko, 1889, oil on canvas, Royal Castle, Warsaw.
Painting ID:: 59783
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Coronation_of_the_First_King_of_Poland
Coronation of the First King of Poland," by Jan Matejko, 1889, oil on canvas, Royal Castle, Warsaw.
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The Prussian Tribute
"The Prussian Tribute": Albert and his brothers receive the Duchy of Prussia as a fief from the Polish King, Sigismund I the Old in 1525 (painting by Jan Matejko, 1882)
Painting ID:: 59784
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The_Prussian_Tribute
"The Prussian Tribute": Albert and his brothers receive the Duchy of Prussia as a fief from the Polish King, Sigismund I the Old in 1525 (painting by Jan Matejko, 1882)
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Jan_Matejko
Polish Painter, 1838-1893
He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience
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