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Moore, Albert Joseph
English Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
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Apricots
1866
Oil on canvas
Fulham Public Library, London.
Painting ID:: 19495
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Apricots
1866
Oil on canvas
Fulham Public Library, London.
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Shuttlecock
1868-70
Oil on canvas
Private collection.
Painting ID:: 19496
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Shuttlecock
1868-70
Oil on canvas
Private collection.
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Battledore
1868-70
Oil on canvas
Private collection.
Painting ID:: 19497
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Battledore
1868-70
Oil on canvas
Private collection.
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A Venus
1869
Oil on canvas
York city Art Gallery.
Painting ID:: 19498
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A_Venus
1869
Oil on canvas
York city Art Gallery.
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A Garden
1869
Oil on canvas
Tate Gallery, London.
Painting ID:: 19499
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A_Garden
1869
Oil on canvas
Tate Gallery, London.
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Moore,_Albert_Joseph
English Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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