Oil Painting Artist::. POUSSIN, Nicolas

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     POUSSIN, Nicolas
    French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

POUSSIN, Nicolas Lamentation over the Body of Christ af oil painting artist
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Lamentation over the Body of Christ af
1628-29 Oil on canvas, 101 x 145 cm Alte Pinakothek, Munich

     Painting ID::  8614
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Lamentation_over_the_Body_of_Christ_af
1628-29 Oil on canvas, 101 x 145 cm Alte Pinakothek, Munich

POUSSIN, Nicolas Midas and Bacchus (detail) ag oil painting artist
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Midas and Bacchus (detail) ag
1629-30 Oil on canvas Alte Pinakothek, Munich

     Painting ID::  8616
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Midas_and_Bacchus_(detail)_ag
1629-30 Oil on canvas Alte Pinakothek, Munich

POUSSIN, Nicolas The Plague at Ashdod asg oil painting artist
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The Plague at Ashdod asg
1630 Oil on canvas, 148 x 198 cm Mus??e du Louvre, Paris

     Painting ID::  8617
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Plague_at_Ashdod_asg
1630 Oil on canvas, 148 x 198 cm Mus??e du Louvre, Paris

POUSSIN, Nicolas Acis and Galatea stg oil painting artist
 Click Image to Enlarge
Acis and Galatea stg
c. 1630 Oil on canvas, 97 x 135 cm National Gallery of Ireland, Dublin

     Painting ID::  8618
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Acis_and_Galatea_stg
c. 1630 Oil on canvas, 97 x 135 cm National Gallery of Ireland, Dublin

POUSSIN, Nicolas The Inspiration of the Poet (detail) af oil painting artist
 Click Image to Enlarge
The Inspiration of the Poet (detail) af
c. 1630 Oil on canvas Mus??e du Louvre, Paris

     Painting ID::  8619
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Inspiration_of_the_Poet_(detail)_af
c. 1630 Oil on canvas Mus??e du Louvre, Paris

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     POUSSIN,_Nicolas
    French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

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