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POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
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Resting Herd a
1652
Oil on oak, 35,5 x 46,5 cm
Gemäldegalerie, Dresden
Painting ID:: 8593
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Resting_Herd_a
1652
Oil on oak, 35,5 x 46,5 cm
Gemäldegalerie, Dresden
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Landscape with Shepherdess and Shepherd Playing Flute af
1642-44
Oil on wood, 67 x 114,5 cm
Museum of Fine Arts, Budapest
Painting ID:: 8594
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Landscape_with_Shepherdess_and_Shepherd_Playing_Flute_af
1642-44
Oil on wood, 67 x 114,5 cm
Museum of Fine Arts, Budapest
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Landscape with Shepherdess Shepherd Playing Flute (detail) ad
1642-44
Oil on wood
Museum of Fine Arts, Budapest
Painting ID:: 8595
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Landscape_with_Shepherdess_Shepherd_Playing_Flute_(detail)_ad
1642-44
Oil on wood
Museum of Fine Arts, Budapest
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The Spotted Horse af
Oil on wood, 30 x 41 cm
Mus??e du Louvre, Paris
Painting ID:: 8596
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The_Spotted_Horse_af
Oil on wood, 30 x 41 cm
Mus??e du Louvre, Paris
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The Farm af
1649
Oil on panel, 81 x 116 cm
The Hermitage, St. Petersburg
Painting ID:: 8597
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The_Farm_af
1649
Oil on panel, 81 x 116 cm
The Hermitage, St. Petersburg
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POTTER,_Paulus
Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
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