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GOLTZIUS, Hendrick
Dutch Baroque Era Painter and Engraver, 1558-1617
Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.
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Minerva sg
1611
Oil on panel, 214 x 120 cm
Frans Halsmuseum, Haarlem
Painting ID:: 6940
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Minerva_sg
1611
Oil on panel, 214 x 120 cm
Frans Halsmuseum, Haarlem
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Lot and his Daughters dh
1616
Oil on canvas, 140 x 204 cm
Rijksmuseum, Amsterdam
Painting ID:: 6941
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Lot_and_his_Daughters_dh
1616
Oil on canvas, 140 x 204 cm
Rijksmuseum, Amsterdam
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The Rich Kitchen dfg
1603
Ink, pen on paper, 20 x 33 cm
Prentenkabinet, Rijksuniversiteit, Leiden
Painting ID:: 6942
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The_Rich_Kitchen_dfg
1603
Ink, pen on paper, 20 x 33 cm
Prentenkabinet, Rijksuniversiteit, Leiden
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Self-Portrait dg
1592-94
Drawing
Graphische Sammlung Albertina, Vienna
Painting ID:: 6943
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Self-Portrait_dg
1592-94
Drawing
Graphische Sammlung Albertina, Vienna
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GOLTZIUS,_Hendrick
Dutch Baroque Era Painter and Engraver, 1558-1617
Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.
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