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FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515
was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
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Madonna and Child dfg
1476
Tempera on panel, 165 x 80 cm
Pinacoteca di Brera, Milan
Painting ID:: 6690
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Madonna_and_Child_dfg
1476
Tempera on panel, 165 x 80 cm
Pinacoteca di Brera, Milan
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Madonna and Child with an Angel deu
1479-80
Tempera on wood, 41 x 32,5 cm
Galleria degli Uffizi, Florence
Painting ID:: 6691
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Madonna_and_Child_with_an_Angel_deu
1479-80
Tempera on wood, 41 x 32,5 cm
Galleria degli Uffizi, Florence
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Madonna of the Book d
1460-68
Wood panel
Castello Sforzesco, Milan
Painting ID:: 6692
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Madonna_of_the_Book_d
1460-68
Wood panel
Castello Sforzesco, Milan
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Portrait of Francesco Brivio sdf
Wood
Museo Poldi Pezzoli, Milan
Painting ID:: 6693
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Portrait_of_Francesco_Brivio_sdf
Wood
Museo Poldi Pezzoli, Milan
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St Augustine dsfg
1465-70
Wood panel
Castello Sforzesco, Milan
Painting ID:: 6694
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St_Augustine_dsfg
1465-70
Wood panel
Castello Sforzesco, Milan
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FOPPA,_Vincenzo
Italian Early Renaissance Painter, ca.1430-1515
was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
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