Oil Painting Artist::. BRAMANTE

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     BRAMANTE
    Italian High Renaissance Architect and Painter, 1444-1514 In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations. Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.

BRAMANTE Study fgf oil painting artist
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Study fgf
Drawing Galleria degli Uffizi, Florence

     Painting ID::  5345
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Study_fgf
Drawing Galleria degli Uffizi, Florence

BRAMANTE Exterior of the church dfg oil painting artist
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Exterior of the church dfg
begun c. 1492 Santa Maria delle Grazie, Milan

     Painting ID::  5346
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Exterior_of_the_church_dfg
begun c. 1492 Santa Maria delle Grazie, Milan

BRAMANTE Tempietto d oil painting artist
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Tempietto d
1502 San Pietro in Montorio, Rome

     Painting ID::  5347
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Tempietto_d
1502 San Pietro in Montorio, Rome

BRAMANTE Portrait of Camilla Spinola oil painting artist
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Portrait of Camilla Spinola
oil on canvas, circa 1633. Accession number 1774 Date cyf

     Painting ID::  78255
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Camilla_Spinola
oil on canvas, circa 1633. Accession number 1774 Date cyf

BRAMANTE Death of Joseph Bara oil painting artist
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Death of Joseph Bara
Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9. Date cyf

     Painting ID::  79281
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Death_of_Joseph_Bara
Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9. Date cyf

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     BRAMANTE
    Italian High Renaissance Architect and Painter, 1444-1514 In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations. Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.

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