Oil Painting Artist::. BECCAFUMI, Domenico

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     BECCAFUMI, Domenico
    Italian Mannerist Painter, ca.1486-1551 Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.

BECCAFUMI, Domenico St Lucy fgg oil painting artist
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St Lucy fgg
1521 Oil on wood Pinacoteca Nazionale, Siena

     Painting ID::  4993
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Lucy_fgg
1521 Oil on wood Pinacoteca Nazionale, Siena

BECCAFUMI, Domenico The Holy Family with Young Saint John dfg oil painting artist
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The Holy Family with Young Saint John dfg
around 1530 Oil on panel, diameter 84 cm Galleria degli Uffizi, Florence

     Painting ID::  4994
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Holy_Family_with_Young_Saint_John_dfg
around 1530 Oil on panel, diameter 84 cm Galleria degli Uffizi, Florence

BECCAFUMI, Domenico Moses and the Golden Calf fgg oil painting artist
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Moses and the Golden Calf fgg
1536-37 Oil on wood, 197 x 139 cm Duomo, Pisa

     Painting ID::  4995
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Moses_and_the_Golden_Calf_fgg
1536-37 Oil on wood, 197 x 139 cm Duomo, Pisa

BECCAFUMI, Domenico The Annunciation  jhn oil painting artist
 Click Image to Enlarge
The Annunciation jhn
c. 1545 Oil on wood SS. Martino and Vittorio, Sarteano (Siena)

     Painting ID::  4996
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Annunciation__jhn
c. 1545 Oil on wood SS. Martino and Vittorio, Sarteano (Siena)

BECCAFUMI, Domenico Fall of the Rebellious Angels gjh oil painting artist
 Click Image to Enlarge
Fall of the Rebellious Angels gjh
1540s Oil on wood, 347 x 227 cm Pinacoteca Nazionale, Siena

     Painting ID::  4997
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Fall_of_the_Rebellious_Angels_gjh
1540s Oil on wood, 347 x 227 cm Pinacoteca Nazionale, Siena

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     BECCAFUMI,_Domenico
    Italian Mannerist Painter, ca.1486-1551 Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.

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