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Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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Sunset in the Yosemite Valley
1868
The Haggin Museum, Stockton, California
Painting ID:: 2462
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Sunset_in_the_Yosemite_Valley
1868
The Haggin Museum, Stockton, California
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Storm in the Rocky Mountains, Mt Rosalie
1869
82.99 x 142.24 in / 210.8 x 361.3 cm
The Brooklyn Museum, USA
Painting ID:: 2463
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Storm_in_the_Rocky_Mountains,_Mt_Rosalie
1869
82.99 x 142.24 in / 210.8 x 361.3 cm
The Brooklyn Museum, USA
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Seal Rock
1872
30.00 x 44.02 in / 76.2 x 111.8 cm
New Britain Museum of American Art, Connecticut, USA
Painting ID:: 2464
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Seal_Rock
1872
30.00 x 44.02 in / 76.2 x 111.8 cm
New Britain Museum of American Art, Connecticut, USA
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Butterfly
1900
Watercolour with gouache
5.00 x 7.99 inches / 12.7 x 20.3 cm
Private collection
Painting ID:: 2465
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Butterfly
1900
Watercolour with gouache
5.00 x 7.99 inches / 12.7 x 20.3 cm
Private collection
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The Shore of the Turquoise Sea
1878
42.52 x 64.49 in / 108 x 163.8 cm Manoogian Collection
Painting ID:: 2466
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The_Shore_of_the_Turquoise_Sea
1878
42.52 x 64.49 in / 108 x 163.8 cm Manoogian Collection
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Albert_Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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