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Thomas De Keyser
1586-1667
Dutch
Thomas De Keyser Gallery
De Keyser excelled as a portrait painter, and was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt.
His portraiture is full of character and masterly in handling, and often distinguished by a rich golden glow of color and Rembrandtesque chiaroscuro. Some of his portraits are life-size, but the artist generally preferred to keep them on a considerably smaller scale, like the famous Four Amsterdam burgomasters assembled to receive Marie de Medici in 1638, now on display at the Mauritshuis museum in The Hague.
In addition to portraits, he also executed some historical and mythological pictures, such as the Theseus and Ariadne in the Amsterdam town hall, now the Royal Palace. De Keyser also worked as an architect. From 1662 until his death in 1667 he oversaw construction of the new Amsterdam town hall, now Royal Palace.
De Keyser was a son of the architect and sculptor Hendrik de Keyser. We have no definite knowledge of his training, and but scant information as to the course of his life. Aert Pietersz, Cornelis vander Voort, Werner van Valckert and Nicolas Elias are accredited by different authorities with having developed his talent.
In the 1640s, de Keyser received very few painting commissions, and was forced to seek income elsewhere. He owned a basalt business from 1640 until 1654, when he returned to painting.
The Rijksmuseum in Amsterdam has the largest collection of paintings by de Keyser. His work can also be seen at the Louvre in Paris, the Metropolitan Museum of Art in New York City, the Hermitage in Saint Petersburg and the National Gallery in London, among others.
The Stedelijk Museum modern art museum in Amsterdam carries a statue of de Keyser on its facade. A street in Enschede is named for him.
A contemporary namesake of the painter was Thomas de Keyser (Utrecht, 1597-1651), an actor and nephew of Hendrick de Keyser.
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Portret of a man
1626
Oil on panel
79 x 53 cm
cjr
Painting ID:: 74778
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Portret_of_a_man
1626
Oil on panel
79 x 53 cm
cjr
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Portret of a man
Date 1626
Medium Oil on panel
Dimensions 79 x 53 cm
cyf
Painting ID:: 76264
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Portret_of_a_man
Date 1626
Medium Oil on panel
Dimensions 79 x 53 cm
cyf
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Netherlands
1849(1849)
Medium Oil on canvas
Dimensions 286 ?? 200 cm (112.6 ?? 78.7 in)
cyf
Painting ID:: 77788
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Netherlands
1849(1849)
Medium Oil on canvas
Dimensions 286 ?? 200 cm (112.6 ?? 78.7 in)
cyf
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Pieter Schout
1660
Medium Oil on copper
Dimensions 86.1 x 69.6 cm (33.9 x 27.4 in)
cyf
Painting ID:: 83492
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Pieter_Schout
1660
Medium Oil on copper
Dimensions 86.1 x 69.6 cm (33.9 x 27.4 in)
cyf
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The company of Captain Allaert Cloeck and Lieutenant Lucas Jacobsz Rotgans
1632
Medium Oil on canvas
Dimensions 220 x 351 cm (86.6 x 138.2 in)
cyf
Painting ID:: 83576
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The_company_of_Captain_Allaert_Cloeck_and_Lieutenant_Lucas_Jacobsz_Rotgans
1632
Medium Oil on canvas
Dimensions 220 x 351 cm (86.6 x 138.2 in)
cyf
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Thomas_De_Keyser
1586-1667
Dutch
Thomas De Keyser Gallery
De Keyser excelled as a portrait painter, and was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt.
His portraiture is full of character and masterly in handling, and often distinguished by a rich golden glow of color and Rembrandtesque chiaroscuro. Some of his portraits are life-size, but the artist generally preferred to keep them on a considerably smaller scale, like the famous Four Amsterdam burgomasters assembled to receive Marie de Medici in 1638, now on display at the Mauritshuis museum in The Hague.
In addition to portraits, he also executed some historical and mythological pictures, such as the Theseus and Ariadne in the Amsterdam town hall, now the Royal Palace. De Keyser also worked as an architect. From 1662 until his death in 1667 he oversaw construction of the new Amsterdam town hall, now Royal Palace.
De Keyser was a son of the architect and sculptor Hendrik de Keyser. We have no definite knowledge of his training, and but scant information as to the course of his life. Aert Pietersz, Cornelis vander Voort, Werner van Valckert and Nicolas Elias are accredited by different authorities with having developed his talent.
In the 1640s, de Keyser received very few painting commissions, and was forced to seek income elsewhere. He owned a basalt business from 1640 until 1654, when he returned to painting.
The Rijksmuseum in Amsterdam has the largest collection of paintings by de Keyser. His work can also be seen at the Louvre in Paris, the Metropolitan Museum of Art in New York City, the Hermitage in Saint Petersburg and the National Gallery in London, among others.
The Stedelijk Museum modern art museum in Amsterdam carries a statue of de Keyser on its facade. A street in Enschede is named for him.
A contemporary namesake of the painter was Thomas de Keyser (Utrecht, 1597-1651), an actor and nephew of Hendrick de Keyser.
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