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Willem Claesz Heda
1594-1682
Dutch
Willem Claesz Heda Galleries
Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).
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Breakfast Talbe with Blackberry Pie
mk156
1631
Oil on panel
54x82cm
Painting ID:: 40441
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Breakfast_Talbe_with_Blackberry_Pie
mk156
1631
Oil on panel
54x82cm
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Still life with a Lobster
mk170
1650-1659
Oil on canvas
114x103cm
Painting ID:: 43216
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Still_life_with_a_Lobster
mk170
1650-1659
Oil on canvas
114x103cm
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Detail of Still Life with a Lobster
mk170
Painting ID:: 43217
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Detail_of_Still_Life_with_a_Lobster
mk170
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Style life
mk186
around 1630 Madrids, Museo del Prado
Painting ID:: 45544
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Style_life
mk186
around 1630 Madrids, Museo del Prado
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Style life with gilded cup
mk186
1635
Amsterdams, Rijksmuseum
Painting ID:: 45635
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Style_life_with_gilded_cup
mk186
1635
Amsterdams, Rijksmuseum
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Willem_Claesz_Heda
1594-1682
Dutch
Willem Claesz Heda Galleries
Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).
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