Oil Painting Artist::. William Powell Frith

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     William Powell Frith
    1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.

William Powell  Frith Life at the Seaside (Ramsgate Sands) oil painting artist
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Life at the Seaside (Ramsgate Sands)
1854 oil on canvas 76.2 x 153.7 cm (30 x 60 1/2 in) Royal Collection (mk63)

     Painting ID::  28269
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Life_at_the_Seaside_(Ramsgate_Sands)
1854 oil on canvas 76.2 x 153.7 cm (30 x 60 1/2 in) Royal Collection (mk63)

William Powell  Frith Derby Day oil painting artist
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Derby Day
1856-8 Oil on canvas 101.6 x 223.6 cm (40 x 88in) Tate Gallery London (mk63)

     Painting ID::  28279
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Derby_Day
1856-8 Oil on canvas 101.6 x 223.6 cm (40 x 88in) Tate Gallery London (mk63)

William Powell  Frith The Railway Station oil painting artist
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The Railway Station
1862 Oil on canvs 116.7 x 256.2 (46 x 101in) Royal Holloway College,University of London Egham,Surrey (mk63)

     Painting ID::  28280
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Railway_Station
1862 Oil on canvs 116.7 x 256.2 (46 x 101in) Royal Holloway College,University of London Egham,Surrey (mk63)

William Powell  Frith The Salon d'Or Homburg oil painting artist
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The Salon d'Or Homburg
1871 Oil on canvas 125 x 260 cm (49 1/4 x 102 1/2 in) Museum of Art Rhode Island School of Design (mk63)

     Painting ID::  28292
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Salon_d'Or_Homburg
1871 Oil on canvas 125 x 260 cm (49 1/4 x 102 1/2 in) Museum of Art Rhode Island School of Design (mk63)

William Powell  Frith Retribution oil painting artist
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Retribution
1878 Oil on canvas 30.8 x 39.4 cm (12 1/8 x 15 1/2 in) Birmingham City Museum and Art Gallery (mk63)

     Painting ID::  28293
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Retribution
1878 Oil on canvas 30.8 x 39.4 cm (12 1/8 x 15 1/2 in) Birmingham City Museum and Art Gallery (mk63)

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     William_Powell__Frith
    1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.

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