Oil Painting Artist::. Martin Drolling

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     Martin Drolling
    1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.

Martin  Drolling Portrait of the Artist-s Son as a Drummer oil painting artist
 Click Image to Enlarge
Portrait of the Artist-s Son as a Drummer
Oil on canvas, 120 x 76 cm

     Painting ID::  43812
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Artist-s_Son_as_a_Drummer
Oil on canvas, 120 x 76 cm

Martin  Drolling Portrait of the Artist-s Son as a Drummer oil painting artist
 Click Image to Enlarge
Portrait of the Artist-s Son as a Drummer
Oil on canvas, 120 x 76 cm

     Painting ID::  52608
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Artist-s_Son_as_a_Drummer
Oil on canvas, 120 x 76 cm

Martin  Drolling The Messenger or The Good New oil painting artist
 Click Image to Enlarge
The Messenger or The Good New
1806 Oil on canvas

     Painting ID::  52622
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Messenger_or_The_Good_New
1806 Oil on canvas

Martin  Drolling Portrait of the Artist's Son as a Drummer oil painting artist
 Click Image to Enlarge
Portrait of the Artist's Son as a Drummer
120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter

     Painting ID::  62364
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Artist's_Son_as_a_Drummer
120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter

Martin  Drolling Portrait of the Artists Son as a Drummer oil painting artist
 Click Image to Enlarge
Portrait of the Artists Son as a Drummer
2nd half of 18th century Medium Oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in). cyf

     Painting ID::  80988
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Artists_Son_as_a_Drummer
2nd half of 18th century Medium Oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in). cyf

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     Martin__Drolling
    1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.

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