Oil Painting Artist::. Alexandre Calame

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     Alexandre Calame
    1810-1864 French Alexandre Calame Locations Swiss painter, draughtsman and printmaker. He studied under Francois Diday in Geneva and then travelled to Paris (1837), to the Netherlands and Desseldorf (1838), to Italy (1844) and to London (1850). Despite his frail health he spent each summer painting in the mountains of the Bernese Oberland and central Switzerland, where he produced the drawings and studies from nature that were later used in his studio compositions. A fervent Calvinist, he saw his subjects.

Alexandre Calame Calame oil painting artist
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Calame
oil on canvas painting by Alexandre Calame, about 1850-60 Date about 1850-60 cyf

     Painting ID::  78281
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Calame
oil on canvas painting by Alexandre Calame, about 1850-60 Date about 1850-60 cyf

Alexandre Calame Swiss Landscape oil painting artist
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Swiss Landscape
1830(1830) Medium oil on canvas cjr

     Painting ID::  89200
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Swiss_Landscape
1830(1830) Medium oil on canvas cjr

Alexandre Calame Mountainous Riverscape oil painting artist
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Mountainous Riverscape
first half of 19th century Medium Oil on paper laid down on canvas Dimensions Height: 45 cm (17.7 in). Width: 31 cm (12.2 in). cyf

     Painting ID::  91147
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Mountainous_Riverscape
first half of 19th century Medium Oil on paper laid down on canvas Dimensions Height: 45 cm (17.7 in). Width: 31 cm (12.2 in). cyf

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Prev Artist       Next Artist     

     Alexandre_Calame
    1810-1864 French Alexandre Calame Locations Swiss painter, draughtsman and printmaker. He studied under Francois Diday in Geneva and then travelled to Paris (1837), to the Netherlands and Desseldorf (1838), to Italy (1844) and to London (1850). Despite his frail health he spent each summer painting in the mountains of the Bernese Oberland and central Switzerland, where he produced the drawings and studies from nature that were later used in his studio compositions. A fervent Calvinist, he saw his subjects.

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