Oil Painting Artist::. Alexandre Cabanel

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     Alexandre Cabanel
    1823-1889 French Alexandre Cabanel Locations French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.

Alexandre  Cabanel The Love of Acis and Galatea oil painting artist
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The Love of Acis and Galatea
mk221 1827 Oil on canvas 146x113.7cm

     Painting ID::  51777
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Love_of_Acis_and_Galatea
mk221 1827 Oil on canvas 146x113.7cm

Alexandre  Cabanel Eleopatra Trying Out the Poison on Prisoners Sentenced to Death oil painting artist
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Eleopatra Trying Out the Poison on Prisoners Sentenced to Death
mk221 1887 Oil on canvas 87.6x148cm

     Painting ID::  51812
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Eleopatra_Trying_Out_the_Poison_on_Prisoners_Sentenced_to_Death
mk221 1887 Oil on canvas 87.6x148cm

Alexandre  Cabanel The Birth of Venus oil painting artist
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The Birth of Venus
mk235 1863 Oil oncanvas 130x225cm

     Painting ID::  54534
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Birth_of_Venus
mk235 1863 Oil oncanvas 130x225cm

Alexandre  Cabanel Ophelia oil painting artist
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Ophelia
Date 1883(1883) Medium Oil on canvas Dimensions 77 X 117.5 cm (30.31 X 46.26 in) cyf

     Painting ID::  73176
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Ophelia
Date 1883(1883) Medium Oil on canvas Dimensions 77 X 117.5 cm (30.31 X 46.26 in) cyf

Alexandre  Cabanel Albayde oil painting artist
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Albayde
Date 1848(1848) Medium Oil on canvas Dimensions 98 X 80 cm (38.58 X 31.5 in) cyf

     Painting ID::  73511
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Albayde
Date 1848(1848) Medium Oil on canvas Dimensions 98 X 80 cm (38.58 X 31.5 in) cyf

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     Alexandre__Cabanel
    1823-1889 French Alexandre Cabanel Locations French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.

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