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Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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Lamentation
Date 1490s
Medium Oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cjr
Painting ID:: 85899
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Lamentation
Date 1490s
Medium Oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cjr
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Scene from the St Lucy Legend
Date 1480(1480)
Medium Oil on wood
cjr
Painting ID:: 86205
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Scene_from_the_St_Lucy_Legend
Date 1480(1480)
Medium Oil on wood
cjr
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Scenes from the Life of St Ursula
second half of 15th century
Medium Oil on wood
cyf
Painting ID:: 87835
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Scenes_from_the_Life_of_St_Ursula
second half of 15th century
Medium Oil on wood
cyf
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Virgin and Child with an Angel
between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf
Painting ID:: 90006
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Virgin_and_Child_with_an_Angel
between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf
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Lamentation
1490s
Medium oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cyf
Painting ID:: 90050
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Lamentation
1490s
Medium oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cyf
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| Prev Artist Next Artist
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Master_of_the_Legend_of_St._Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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