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Pieter Brueghel the Younger
(1564 or 1565 - 10 October 1636) was a Flemish painter, known for numerous copies after his father Pieter Brueghel the Elder's paintings and nicknamed "Hell Brueghel" for his fantastic treatments of fire and grotesque imagery.
Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544 - 1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On 5 November 1588 he married Elisabeth Goddelet, and the couple had seven children.
He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel".
Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque
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The Preaching of St. John the Baptist.
Date 1601-1604
Medium Oil on panel
cjr
Painting ID:: 82033
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The_Preaching_of_St._John_the_Baptist.
Date 1601-1604
Medium Oil on panel
cjr
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The Preaching of St. John the Baptist
1601-1604
Medium Oil on panel
cyf
Painting ID:: 85669
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The_Preaching_of_St._John_the_Baptist
1601-1604
Medium Oil on panel
cyf
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Peasant Wedding Feast
1630(1630)
Medium Oil on canvas
Dimensions 73 x 104 cm (28.7 x 40.9 in)
cyf
Painting ID:: 86477
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Peasant_Wedding_Feast
1630(1630)
Medium Oil on canvas
Dimensions 73 x 104 cm (28.7 x 40.9 in)
cyf
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Country Scene
1608(1608)
Medium oil on panel
Dimensions 22 x 33 cm
cjr
Painting ID:: 90086
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Country_Scene
1608(1608)
Medium oil on panel
Dimensions 22 x 33 cm
cjr
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The Adoration of the Magi
between 1590(1590) and 1638(1638)
Medium oil on panel
Dimensions 41 x 57 cm (16.1 x 22.4 in)
cjr
Painting ID:: 90130
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The_Adoration_of_the_Magi
between 1590(1590) and 1638(1638)
Medium oil on panel
Dimensions 41 x 57 cm (16.1 x 22.4 in)
cjr
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Pieter_Brueghel_the_Younger
(1564 or 1565 - 10 October 1636) was a Flemish painter, known for numerous copies after his father Pieter Brueghel the Elder's paintings and nicknamed "Hell Brueghel" for his fantastic treatments of fire and grotesque imagery.
Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544 - 1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On 5 November 1588 he married Elisabeth Goddelet, and the couple had seven children.
He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel".
Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque
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