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Bela Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony.
Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
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Still-life
before 1903(1903)
Oil on canvas
63X50.5 cm
cjr
Painting ID:: 74525
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Still-life
before 1903(1903)
Oil on canvas
63X50.5 cm
cjr
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Woman by the Water
1897(1897)
Oil on canvas
81X99 cm
cjr
Painting ID:: 74835
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Woman_by_the_Water
1897(1897)
Oil on canvas
81X99 cm
cjr
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Ave Maria
1891
cjr
Painting ID:: 75210
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Ave_Maria
1891
cjr
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Shepherd and Peasant Woman
1892(1892)
Oil on canvas
100X120 cm
cjr
Painting ID:: 75235
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Shepherd_and_Peasant_Woman
1892(1892)
Oil on canvas
100X120 cm
cjr
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Still life
before 1903(1903)
Medium Oil on canvas
Dimensions English: 63??50.5 cm
cyf
Painting ID:: 76062
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Still_life
before 1903(1903)
Medium Oil on canvas
Dimensions English: 63??50.5 cm
cyf
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Bela_Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony.
Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
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