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kees van dongen
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
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woman in black hat
mk247
1908,oil on canvas,39x32 in,100x81 cm,state hermitagge museum,st.petersburg,russia
Painting ID:: 56397
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woman_in_black_hat
mk247
1908,oil on canvas,39x32 in,100x81 cm,state hermitagge museum,st.petersburg,russia
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fate
mk289 1901 warercolor private collection
Painting ID:: 66368
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fate
mk289 1901 warercolor private collection
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portrait of guus on a red ground
mk289 1910 oil on canvas collection mlle D.A. van dongen paris
Painting ID:: 66370
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portrait_of_guus_on_a_red_ground
mk289 1910 oil on canvas collection mlle D.A. van dongen paris
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yellow boots
mk289 1902 oil on canvas 130x97cm private collection
Painting ID:: 66518
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yellow_boots
mk289 1902 oil on canvas 130x97cm private collection
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Ibe moulin de la galette
mk289 1904 oil on canvas 55x46cm private collection
Painting ID:: 66519
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Ibe_moulin_de_la_galette
mk289 1904 oil on canvas 55x46cm private collection
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kees_van_dongen
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
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